Film

Warner Bros is for sale and there are several interested parties including Netflix, Paramount and Amazon. It’s all bad news for audiences.

WASHINGTON POST: Anthony Hopkins’ talent was not immediately apparent. Nicknamed Elephant Head for his large noggin, the actor remembers his grandfather lamenting, ‘what a pity there is nothing much in it’.

We all know the horror classics, but what about the gory, bloody and nerve-shredding movies from the past year?

Bugonia captures all the anxieties, paranoia and division of 2025. Art really can reflect the moment, and help us to laugh at it.

Keanu Reeves is all charm and delight in Good Fortune, a comeback movie for comedian, actor and filmmaker Aziz Ansari.

Donald Trump used a literal wrecking ball, but before him, filmmakers galore have thrown many weapons at the White House.

It’s the perfect weekend for a Josh O’Connor movie about a regular guy pulling off an art heist from a small gallery.

Johnny Depp has booked his first studio movie since being fired by Warner Bros after a UK court found in favour of a newspaper which alleged he was a ‘wife beater’. Is this the comeback the world wants?

Jeremy Allen White’s performance is the best thing about an otherwise middling movie, but the problem is he’s too good elsewhere.

A group of burglars stole eight pieces of priceless jewellery from the Louvre in broad daylight. The common refrain? The shocking heist was like something out of a movie. 

A new docuseries on the life and career of Martin Scorsese brings to the fore the intersection between the filmmaker, violence and art.

It is wholly unnecessary for one character to scream at Victor Frankenstein, ‘You’re the monster!’ Um, duh. Everyone already got the memo.

Channing Tatum closes the gap between actor and audience to a millimetre: When someone wounds him — whether with a punch or a rejection — you’re not watching it happen to someone else. It happens to you, too.

Channing Tatum and Kirsten Dunst star in a comedy-drama-caper based on a real-life story that is almost too bizarre to be believed.

Netflix’s plans for Roald Dahl aren’t going to stop with The Twits. Buying all the rights is part of a bigger picture.