Film

Another week, another YouTube phenomenon has overtaken old Hollywood at the global box office. This time, it’s an Australian animated series turned feature film.

Once seen as the next 007, Idris Elba has instead warned that certain audiences would never ‘go for a black male’ actor playing James Bond.

Western Australia is no longer Australia’s best-kept secret; it is the screen industry’s newest frontier, with two huge global productions rolling cameras in the state.

It’s such a gift to watch Ian McKellen and Michaela Coel, star’s of Steven Soderbergh’s two-hander The Christophers, in action.

The sixth Scary Movie is in cinemas today, and it joins a long line of mocking parodies that come from a place of love and laughs.

In recent years, there have been a glut of biopics of music legends and most of them have been awful. But the good ones exist.

Australian DJ FISHER has been cast in Toy Story 5, as fresh clues reveal Taylor Swift could also be involved in the film.

There’s no way you haven’t heard about Obsession yet. Its takeover of the zeitgeist is proof YouTube filmmakers are here to stay.

At 20, Kane Parsons is the youngest director to have ever made a feature for acclaimed studio A24.

Armando Iannucci, the acid-penned writer behind The Thick of It and Veep, will co-write the screenplay for Paddington 4.

Movies about fictional musicians often have this disconnect because the songs are just not that good. Power Ballad doesn’t have that problem.

It’s been seven years since the most recent cinematic Star Wars universe. Will the combined charisma of Pedro Pascal and Baby Yoda be enough?

From the same production company that made Four Weddings and Notting Hill, Finding Emily follows a winning rom-com recipe.

The Bettencourt Affair had everything a voracious public would want in a high-end scandal, and The Richest Woman in the World sought to capture the absurdity and the tragedy.

It’s less than a week before Baby Yoda’s big screen debut so let’s just settle this: puppets are the best.