Fans of Yellowstone and its spin-offs will face a future without its influential and stubborn creator, Taylor Sheridan, after he signed a massive deal with a rival studio.
THE NEW YORK TIMES: The ability to express ourselves freely in public without the ever-looming spectre of perpetual surveillance has been completely lost.
Nicole Kidman has made a striking return to the spotlight while a surprising clue fuels speculation she could be on the path to reconciliation with ex-husband Keith Urban.
Stephen King’s Pennywise the clown has been haunting everyone for four decades, and he returns in a new HBO series that contends with real life American horrors.
Tech developers will not have a ‘free pass’ to use creative works to train AI systems, but advocates say more protections are needed against copyright theft.
Down Cemetery Road, It: Welcome To Derry, The Block finale, Son Of A Donkey and The Witcher: here’s everything our Screen Queen Clare Rigden is checking out this week.
WENLEI MA: With the insane volume of things on Netflix, the good stuff gets lost, especially the genuinely great shows the algorithm no longer serves up.
THE NEW YORK TIMES: The US Symphony Orchestra has begun to open all its performances with the national anthem, the latest indication of how Donald Trump is putting his imprint on the Kennedy Centre.