THE NEW YORK TIMES: The ability to express ourselves freely in public without the ever-looming spectre of perpetual surveillance has been completely lost.
Nicole Kidman has made a striking return to the spotlight while a surprising clue fuels speculation she could be on the path to reconciliation with ex-husband Keith Urban.
Stephen King’s Pennywise the clown has been haunting everyone for four decades, and he returns in a new HBO series that contends with real life American horrors.
Tech developers will not have a ‘free pass’ to use creative works to train AI systems, but advocates say more protections are needed against copyright theft.
Down Cemetery Road, It: Welcome To Derry, The Block finale, Son Of A Donkey and The Witcher: here’s everything our Screen Queen Clare Rigden is checking out this week.
WENLEI MA: With the insane volume of things on Netflix, the good stuff gets lost, especially the genuinely great shows the algorithm no longer serves up.
THE NEW YORK TIMES: The US Symphony Orchestra has begun to open all its performances with the national anthem, the latest indication of how Donald Trump is putting his imprint on the Kennedy Centre.
This week we’re scaring ourselves senseless with It: Welcome To Derry, heading Down Cemetery Road, peeping The Block finale, enjoying The Art Of and seeing if Liam Hemsworth is worth our while on The Witcher.